Debate grows over fate of Wolverhampton art school

The University of Wolverhampton’s plan to demolish its 1960s School of Art has sparked opposition from artists, campaigners, and conservation groups. The nine-storey brutalist building, known as the George Wallis building, could be replaced as part of the university’s redevelopment plans. However, a listing application submitted to Historic England may prevent its demolition.

Designed by Diamond, Redfern & Partners and completed in 1970, the reinforced concrete structure features a distinctive exoskeleton of stretched octagonal openings. The Twentieth Century Society, which applied for the listing, describes it as “an excellent surviving example of a post-war art school” and argues that it could be adapted rather than demolished. A spokesperson for the society said: “Demolition would simply be wasteful, irresponsible and anti-growth.”

The building holds cultural significance, having hosted the First National Black Art Convention in 1982, which brought together influential artists such as Sonia Boyce, Lubaina Himid, and the Black Audio Film Collective. Keith Piper, a member of the Blk Art Group, called the site one of “massive historical significance.”

University staff and students have also voiced concerns. Fine art lecturer Gavin Rogers said students were “angry, confused and disappointed.” He acknowledged the need for improvements but argued that any replacement would not match the building’s spirit.

Meanwhile, a Change.org petition opposing demolition has gathered over 3,500 signatures. Historic England is currently assessing the listing application and will submit its advice to the Department for Culture, Media and Sport. A decision on the building’s future is expected in due course.